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Apr 07, 22  |  Ashar Ali

Difference Between Bevel And Emboss: Complete Guide

Always wanted to know the difference between bevel and emboss Photoshop layer style, and how to use it, but you didn't know how to do it. In this tutorial, we'll go over everything from a detailed definition of Bevel and Emboss to how to bevel text in Photoshop, emboss text in Photoshop, or use Bevel and Emboss in Photoshop. In the end, you'll be able to master it.

One of Photoshop's most powerful tools for making your artwork look more interesting is the Bevel and Emboss layer style. You can use it to add an inner bevel or any other type of bevel effect to your text, or even make an emboss Photoshop action in just a few seconds. That means that this tutorial is a good one if you're interested in learning about how to bevel in Photoshop and how to make an emboss effect in Photoshop. You can also learn about a Photoshop filter called a "bevel edge" and learn about how to make Photoshop bevel edges.

We will show you how to do simple things like how to emboss in Photoshop, how to bevel in Photoshop, or how to bevel in Photoshop so that you can make Photoshop bevel text segments of your own.

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The Functions Of Bevel And Emboss

The difference between bevel and emboss is widely regarded as one of the most powerful and adaptive tools available in the Photoshop Layer Styles library. There are a variety of uses for Bevel and Emboss, the most common of which is to make something seem three-dimensional by adding highlights and shadows to various regions of your layer, but the possibilities are endless. With a little thought and attention, you may produce a variety of looks ranging from reflecting chrome and refractive glass to carved stone and delicate letterpress patterns, among others.

Photoshop Bevel And Embossing Techniques

There are several new choices available in the difference between bevel and emboss dialogue boxes, which are listed below. The bevel height, lighting direction, texture map, and other parameters will be controlled by these.

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You may choose from the following choices in the Style dropdown menu to choose the style and position of your bevel.

Outer Bevel: This will apply the bevel to the exterior of the form that you are applying it to, rather than the inside.

Inner Bevel: By doing so, you will bevel the interior of the form to which you are applying to.

Emboss: In this case, the bevel will be applied to both the outside and interior of the form to which it is being applied to.

Pillow Emboss: When you do this, the bevel will be applied to both the outside and interior of the form to which you are applying to, but in opposing directions.

Stroke Emboss: This only works if you have a stroke effect applied to your layer as well, and it only applies the bevel to the stroke in that instance.

It may seem complex at first, but just scrolling through the numerous Style choices while keeping the Preview box selected will rapidly demonstrate how they each operate in practice. As you can see in the following example, when Inner Bevel is applied, it only affects the interior of the form. Because of the use of the Emboss style, the difference between bevel and emboss have an impact on both the inside and outside of the form.

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There are many choices available in the Technique dropdown menu, which lets you customize the overall form of the Bevel and Emboss. These are the options available in the Technique dropdown menu:

Smooth: This option produces a bevel with a smooth, rounded edge.

Chisel Hard: This option produces a firm, chisel edge bevel.

Chisel Soft: This option results in a rougher, chisel edge bevel.

Another approach to notice the change is to go through the options while checking off the Preview box. This will show you the difference more clearly.

As you can see in the following example, the writing on the left is smoother, and the text on the right seems to have been carved out of stone.


The Depth slider alters the perceived depth of the difference between bevel and emboss by increasing or decreasing its value. A lower number results in a less noticeable 3D effect, whilst a larger number results in a more dramatic 3D effect.

The following example illustrates how raising the Depth of the text gives it a three-dimensional appearance by increasing the font size.


The difference between bevel and emboss will seem to be extruded towards you or away from you, depending on the direction you choose using the Direction radio buttons on the toolbar.

You can notice in the next example how the "up" text seems to pop out of the page, but the "down" text appears to sink into the page in this case.

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The total size of the Bevel and Emboss is controlled by the Size slider. With a lower value, a smaller effect is created that sticks closer to the borders of your form, while a higher value expands the Bevel and Emboss coverage over a greater region of your shape.

In the following illustration, the text on the left has a smaller bevel, but the text on the right has a larger bevel that covers a greater portion of the text.


Using the Soften slider, you may soften any harsh edges that may have been formed by your Bevel and Emboss. It may be useful for generating fashions that are soft and squishy in appearance.

The next example demonstrates how raising the Soften parameter allows us to produce a surface that seems to be considerably softer in appearance.

Angle and Altitude

When it comes to lighting, the Angle and Altitude section is where you make your selections. When you set the Angle of your light source, it determines its horizontal location, and when you set the Altitude of your light source, it determines its vertical position, or apparent height. You may also modify your light source by dragging the little crosshair across the screen rather than using numerical numbers to do so.

By using the "Use Global Light" option, these changes will be synced with any other lighting-related settings in your document, such as Inner and Outer Shadow.

It is possible to observe how adjusting the Angle and Altitude parameters alters the apparent position of our light source in the following example.

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Gloss Contour

Great glass and metal effects are made possible with the use of Gloss Contour.

Using the Gloss Contour, we can control how the shadows and highlights fall off inside our Bevel and Embellish. A linear contour produces a natural-looking falloff, yet a "sine wave" type contour may provide cool, reflected effects when used in conjunction with other elements.

The Anti-aliased option, on the other hand, will smooth out any jagged edges within your gloss if that is what you like.

It is possible to notice in the following example that the writing on the left does not seem to be made of metal, but that by altering the Gloss Contour, it starts to appear more realistic.

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Highlight Mode And Opacity

Lighting may be divided into two categories: highlights and shadows.

The Highlight Mode dropdown menu is where you may choose the blend mode for your highlights to be applied to them. If you want to create more dramatic effects, you may use the Linear Dodge (Add) and Color Dodge options in addition to the basic Screen setting.

This is also where you may change the color of your highlight. While you'll probably keep it at white most of the time, you can adjust the highlight to have a tinge of color if you're trying to emulate various colored light sources.

The Opacity slider allows you to control the strength of the borders of your highlight.

You can see in the following example how adjusting the Highlight Mode, Color, and Opacity of our style results in a somewhat different, warmer appearance.


There is nothing further to report for today. Although we feel that our loyal readers now have a better grasp on What Is The Difference Between A Bevel And An Emboss, please let us know if you think we've missed anything. However, if you're seeking for custom web development agencies then you may want to have a look at Distinguished.io.

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